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A bestiary, or Bestiarum vocabulum is a compendium of beasts. Originating in the Ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals, birds and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God, and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. The bestiary, then, is also a reference to the symbolic language of animals in Western Christian art and literature. ==History== The earliest bestiary in the form in which it was later popularized was an anonymous 2nd century Greek volume called the ''Physiologus'', which itself summarized ancient knowledge and wisdom about animals in the writings of classical authors such as Aristotle's ''Historia Animalium'' and various works by Herodotus, Pliny the Elder, Solinus, Aelian and other naturalists. Following the ''Physiologus'', Saint Isidore of Seville (Book XII of the ''Etymologiae'') and Saint Ambrose expanded the religious message with reference to passages from the Bible and the Septuagint. They and other authors freely expanded or modified pre-existing models, constantly refining the moral content without interest or access to much more detail regarding the factual content. Nevertheless, the often fanciful accounts of these beasts were widely read and generally believed to be true. A few observations found in bestiaries, such as the migration of birds, were discounted by the natural philosophers of later centuries, only to be rediscovered in the modern scientific era. Mediaeval bestiaries are remarkably similar in sequence of the animals of which they treat. Bestiaries were particularly popular in England and France around the 12th century and were mainly compilations of earlier texts. The Aberdeen Bestiary is one of the best known of over 50 manuscript bestiaries surviving today. Bestiaries influenced early heraldry in the Middle Ages, giving ideas for charges and also for the artistic form. Bestiaries continue to give inspiration to coats of arms created in our time. Two illuminated Psalters, the Queen Mary Psalter (British Library Ms. Royal 2B, vii) and the Isabella Psalter (State Library, Munich), contain full Bestiary cycles. The bestiary in the Queen Mary Psalter is found in the "marginal" decorations that occupy about the bottom quarter of the page, and are unusually extensive and coherent in this work. In fact the bestiary has been expanded beyond the source in the Norman bestiary of Guillaume le Clerc to ninety animals. Some are placed in the text to make correspondences with the psalm they are illustrating.〔The Queen Mary psalter: a study of affect and audience By Anne Rudloff Stanton, p44ff, Diane Publishing〕 The Italian artist Leonardo da Vinci also made his own bestiary. A ''volucrary'' is a similar collection of the symbols of birds that is sometimes found in conjunction with bestiaries. The most widely known volucrary in the Renaissance was Jean de Cuba's ''Jardin de Santé'' which describes 122 birds. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「bestiary」の詳細全文を読む スポンサード リンク
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