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Panorama
A panorama (formed from Greek πᾶν "all" + ὅραμα "sight"), is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images or a three-dimensional model. The word was originally coined in the 18th century〔(A Review of ‘The Panoramic River,’ at the Hudson River Museum - NYTimes.com )〕 by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''.
A panoramic view is also proposed for multi-media, cross-scale applications to outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces〔For more see the International Encyclopedia of Systems and Cybernetics.〕 used to capture the larger scale.
== Paintings ==
In the mid-19th century, panoramic paintings and models became a very popular way to represent landscapes and historical events. Audiences of Europe in this period were thrilled by the aspect of illusion, immersed in a winding 360 degree panorama and given the impression of standing in a new environment. The ''panorama'' was a 360-degree visual medium patented by the artist Robert Barker in 1787. He created a picture spectacle, shown on a cylindrical surface and viewed from the inside, giving viewers a vantage point encompassing the entire circle of the horizon, rendering the original scene with high fidelity. The inaugural exhibition, a "View of Edinburgh", was first shown in that city in 1788, then transported to London in 1789. By 1793, Barker had built "The Panorama" rotunda at the center of London's entertainment district in Leicester Square, where it remained until closed in 1863.
Large scale installations enhance the illusion for an audience of being surrounded with a real landscape. The Bourbaki Panorama in Lucerne, Switzerland was created by Edouard Castres in 1881.〔The Bourbaki Panorama, which shows the plight of the French Troops of General Bourbaki in 1871 during the Franco-Prussian War, is the subject of Jeff Wall’s 1993 photograph Restoration. Wall constructed a fictitious scene in which actual conservators were posed as if they were in the process of restoring the painting which was not in fact undergoing restoration at the time. ( p.91)〕 The painting measures about 10 metres in height with a circumference of 112 meters.〔(Bernard Comment (2004),''Panorama'', Reaktion Books, page 214 )〕 In the same year of 1881, the Dutch marine painter Hendrik Willem Mesdag created and established the Panorama Mesdag of The Hague, Netherlands,a cylindrical painting more than 14 metres high and roughly 40 meters in diameter (120 meters in circumference). In the United States of America is the Atlanta Cyclorama, depicting the Civil War Battle of Atlanta. It was first displayed in 1887, and is 42 feet high by 358 feet circumference (13 x 109 metres).〔Marty Olmstead (2002), ''Hidden Georgia'', Ulysses Press, page 204〕 Also on a gigantic scale, and still extant, is the Racławice Panorama (1893) located in Wrocław, Poland, which measures 15 x 120 metres.〔Jan Stanisław Kopczewski (1976), ''Kosciuszko and Pulaski'', Interpress, page 220〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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