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narratology : ウィキペディア英語版
narratology

Narratology refers to both the theory and the study of narrative and narrative structure and the ways that these affect our perception.〔(General Introduction to Narratology ), College of Liberal Arts, Purdue University〕 While in principle the word may refer to any systematic study of narrative, in practice its usage is rather more restricted. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969).〔Gerald Prince, "Narratology," ''Johns Hopkins Guide to Literary Theory and Criticism'', ed. Michael Groden and Martin Kreiswirth (Baltimore: Johns Hopkins UP, 1994) 524.〕 Narratology is applied retrospectively as well to work predating its coinage. Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928).
==History==
The origins of narratology lend to it a strong association with the structuralist quest for a formal system of useful description applicable to any narrative content, the analogy being to the grammars by reference to which sentences are parsed in some forms of linguistics. This procedure does not however typify all work described as narratological today; Percy Lubbock's work in point of view (''The Craft of Fiction'', 1921), is a case in point.
In 1966, a special issue of the journal "Communications" has been highly influential and considered a program for research into the field and even a manifesto.〔〔 It included articles by Barthes, Claude Brémond, Genette, Greimas, Todorov and others, which in turn often referred to the works of Vladimir Propp.〔Herman, David and Jahn, Manfred and Ryan, Marie-Laure (2005) (''Routledge encyclopedia of narrative theory'' ), pp.574-5〕〔Bamberg, Michael G. W. (1998) (''Oral Versions of Personal Experience: Three Decades of Narrative Analysis. A Special Issue of the Journal of Narrative and Life History'' ), p.40〕
Jonathan Culler (2001) describes narratology as comprising many strands 'implicitly united in the recognition that narrative theory requires a distinction between "story," a sequence of actions or events conceived as independent of their manifestation in discourse, and "discourse," the discursive presentation or narration of events.'〔Jonathan Culler, ''The Pursuit of Signs: Semiotics, Literature, Deconstruction'', Routledge Classics ed. (London: Routledge, 2001) 189.〕 This was first proposed by the Russian Formalists, who employed the couplet fabula and sujet. A subsequent succession of alternate pairings has preserved the essential binomial impulse, e.g. ''histoire''/''discours'', ''histoire''/''récit'', ''story''/''plot''. The Structuralist assumption that fabula and sujet could be investigated separately, gave birth to two quite different traditions: thematic (Propp, Bremond, Greimas, Dundes, et al.) and modal (Genette, Prince, et al.) narratology.〔Ruth Ronen, "Paradigm Shift in Plot Models: An Outline of the History of Narratology", ''Poetics Today'', 11(4):817-842 (Winter 1990).〕 The former is mainly limited to a semiotic formalization of the sequences of the actions told, while the latter examines the manner of their telling, stressing voice, point of view, transformation of the chronological order, rhythm and frequency. Many authors (Sternberg, 1993,〔Meir Sternberg, ''Expositional Modes and Temporal Ordering in Fiction'', (Bloomington: Indiana UP, 1993.)〕 Ricoeur, 1984, and Baroni, 2007)〔Raphaël Baroni, ''La Tension narrative. Suspense, curiosité et surprise'', (Paris: Seuil, 2007).〕 have insisted that thematic and modal narratology should not be looked at separately, especially when dealing with the function and interest of narrative sequence and plot.
James Phelan (literary scholar), editor of Narrative (the journal of the International Society for the Study of Narrative), has also written numerous books and articles on narrative theory (see reference list). With Frederick Luis Aldama, Brian McHale and Robyn Warhol, Phelan directs Project Narrative at The Ohio State University.

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