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Soyuzmultfilm (, ''Union Cartoon'') is a Russian animation studio based in Moscow. Over the years it has gained international attention and respect, garnering numerous awards both at home and abroad. Noted for a great variety of style, it is regarded as the most influential animation studio of the former Soviet Union. The studio has produced 1530 films during its existence. It is currently divided into two studios: "Creative union of the "Film studio "Soyuzmultfilm" («Творческо-производственное объединение «Киностудия «Союзмультфильм») and the Soyuzmultfilm Film Fund («Фильмофонд Киностудии «Союзмультфильм»). ==History during the Soviet era== The Studio was founded on 10 June 1936 under the name Soyuzdetmultfilm (Союздетмультфильм – abbr. from Union Children's Animations). The name was changed to Soyuzmultfilm on 20 August 1937. Initially comprising only a few scattered workshops, Soyuzmultfilm grew quickly, soon becoming the Soviet Union's premier animation studio. The studio produced exclusively traditional animation until 1954, when a "puppet division" was founded and the first stop motion-animated film released. The puppet division would later also make cutout-animated films. During the Soviet era, the studio employed a maximum of over 700〔 skilled labourers and released an average of 20 films each year (the highest number was 47, in 1973). Over the next five decades, many Soyuzmultfilms contained characters who would eventually become an integral part of Soviet culture, such as Winnie-the-Pooh (), Crocodile Gena (), Film, Film, Film (), Karlsson-on-the-Roof (), The Musicians of Bremen (), Three from Prostokvashino (), Nu, pogodi! (), Hedgehog in the Fog (), and The Mystery of the Third Planet (). The variety of animation styles and the unprecedented degree of artistic freedom given to its many animators made Soyuzmultfilm perhaps the most diverse of the world's major animation studios. Soyuzmultfilm's creativity was fueled in part by the socialist economy of the Soviet Union, which obviated the goal of profitability. Because animators were paid by the Academy of Film regardless of how well or how poorly their products sold (though they were not, in fact, "sold"), they were free to pursue their artistic vision without giving a thought to finances. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Soyuzmultfilm」の詳細全文を読む スポンサード リンク
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