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・ Mecha!
・ Mecha-Mecha Iketeru!
・ Mecha-Streisand
・ Mechac Koffi
・ Mechack Jérôme
・ MechaCon
・ Mechademia
・ Mechado
・ Mechagodzilla
・ Mechai Viravaidya
・ Mechain
・ Mechain (disambiguation)
・ Mecham
・ Mechamorphosis
・ Mechander Robo
Mechane
・ Mechani-Kong
・ Mechanic
・ Mechanic (disambiguation)
・ Mechanic (Transformers)
・ Mechanic Alludu
・ Mechanic Apprentices Library Association
・ Mechanic Falls (CDP), Maine
・ Mechanic Falls, Maine
・ Mechanic Institute
・ Mechanic Manyeruke and the Puritans
・ Mechanic Settlement, New Brunswick
・ Mechanic Street Cemetery
・ Mechanic Street Historic District
・ Mechanic Township, Holmes County, Ohio


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Mechane : ウィキペディア英語版
Mechane

A mechane (; (ギリシア語:μηχανή), ''mēkhanē'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,〔Plato, ''Crat.'' 425d; ''Clit''. 407a〕 hence the Latin term ''deus ex machina'' ("god out of the machine"). Euripides' use of the mechane in ''Medea'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. It was used to allow actors playing gods to fly through the air.
==Used in Ancient Rome==
Stage machines were also used in ancient Rome, e.g. during the sometimes highly dramatic performances at funerals. For Julius Caesar's funeral service Appian reports a mechane that was used to present a blood-stained wax effigy of the deceased dictator to the funeral crowd. The mechane was used to turn the body in all directions.〔App. ''B.C.'' 2.147. ''τὸ μὲν γὰρ σῶμα, ὡς ὕπτιον ἐπὶ λέχους, οὐχ ἑωρᾶτο. τὸ δὲ ἀνδρείκελον ἐκ μηχανῆς ἐπεστρέφετο πάντῃ''. Suetonius only reports a ''tropaeum'' to which the effigy (''simulacrum'') was affixed. (''Jul.'' 84)〕 Geoffrey Sumi proposes that the use of the mechane "hinted at Caesar's divinity".〔Geoffrey S. Sumi: ''Ceremony and Power — Performing Politics in Rome between Republic and Empire'' (Ann Arbor 2005. 107–109, chapter ''Caesar ex machina''). ISBN 978-0-472-11517-4〕 This is highly unlikely because Appian doesn't describe the mechane as a genuine ''deus-ex-machina'' device. Furthermore Caesar's apotheosis wasn't legally conducted until 42 BC and Caesar had only been worshipped unofficially as ''divus'' during his lifetime. First and foremost Marcus Antonius attempted to arouse the masses as a means to strengthen Caesar's esteem as well as his own political power.〔The fact that Caesar's ''resurrectio'' as god happened later during the funeral as he was cremated, and that it spawned the early Caesarian cult by the Pseudo-Marius, can't explain Antonius' intentions for using a mechane during the funeral.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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