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・ Trophonopsis
・ Trophonopsis aberrans
・ Trophonopsis alboranensis
・ Trophonopsis barvicensis
・ Trophonopsis breviata
・ Trophonopsis densilamellata
・ Trophonopsis diazi
・ Tropaeolum speciosum
・ Tropaeolum tricolor
・ Tropaeolum tuberosum
・ Tropaeolum umbellatum
・ Tropaeum
・ Tropaeum Alpium
・ Tropaeum Traiani
・ Tropaia
Tropaion
・ Tropak
・ Tropane
・ Tropane alkaloid
・ Tropang Potchi
・ Tropang Trumpo
・ Tropanisopodus
・ Tropanisopodus andinus
・ Tropanisopodus tachira
・ Tropanka
・ Tropanserin
・ Troparil
・ Troparion
・ Troparyovo
・ Troparyovo-Nikulino District


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Tropaion : ウィキペディア英語版
Tropaion

A tropaion ((ギリシア語:τρόπαιον), (ラテン語:tropaeum)), whence English "trophy" is an ancient Greek and later Roman monument set up to commemorate a victory over one's foes. Typically this takes the shape of a tree, sometimes with a pair of arm-like branches (or, in later times, a pair of stakes set crosswise) upon which is hung the armour of a defeated and dead foe. The ''tropaion'' is then dedicated to a god in thanksgiving for the victory.
==Greece==
In the Greek city-states of the Archaic period, the ''tropaion'' would be set up on the battlefield itself, usually at the site of the "turning point" (Gk. ''tropê'') at which the routed enemy's phalanx broke, turned and ran. It would be dressed in the typical hoplite panoply of the period, including (at different times), a helmet, cuirass (either of bronze or linen), and a number of shields,etc., would be piled about the base. It remained on the battlefield until the following season's campaigns (since battles were often fought in the same, relatively few plains amid Greece's numerous mountains), where it might be replaced with a new trophy.
In later eras in the Greek world, these ''tropaia'' might be vowed at the battle-site, but in fact erected at pan-Hellenic sanctuaries such as Olympia or Delphi to further increase the prestige of the victorious state.
The significance of the monument is a ritualistic notification of "victory" to the defeated enemies. Since warfare in the Greek world was largely a ritualistic affair in the archaic hoplite-age (see Hanson, ''The Western Way of War'' for further elaboration of this idea), the monument is used to reinforce the symbolic capital of the victory in the Greek community.
Ancient sources attest to the great deal of significance that early Greek cities placed upon symbols and ritual as linked to warfare--the story involving the bones of Orestes, for example, in Herodotus 1 which go beyond the ritualistic properties to even magically 'guaranteeing' the Spartan victory, displays the same sort of interest in objects and symbols of power as they relate to military success or failure.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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