| 翻訳と辞書 |
In music, ''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (German for ''primary voice'') or ''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to '''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
''. (German for ''secondary voice'') or ''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A ''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (plural ''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c'
In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to .
(German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .
The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕
Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕
Other examples of the terms' use include lead and back up vocals, melody and counter-melody.
In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕
==Hauptrhythmus==
A (plural ) is a rhythmic motif or cell.
The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕
\relative c'
抄文引用元・出典: フリー百科事典『 ==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (German for ''primary voice'') or ''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to '''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
''. (German for ''secondary voice'') or ''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A ''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (plural ''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディア（Wikipedia）』
■==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (German for ''primary voice'') or ''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to '''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
''. (German for ''secondary voice'') or ''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A ''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (plural ''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, '''''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' ">ウィキペディアで「In music, ''' (German for ''primary voice'') or '''''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (German for ''primary voice'') or ''' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to ''''''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to '''. (German for ''secondary voice'') or '''''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
''. (German for ''secondary voice'') or ''' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A '''''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the .The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.Further contrapuntal lines or material may be considered accompaniment.Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.Other examples of the terms' use include lead and back up vocals, melody and counter-melody.In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.==HauptrhythmusHauptrhythmus & Hauptrhythmen redirect directly here-->==A ''' (plural '''''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'' (plural ''') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
'') is a rhythmic motif or cell.The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.\relative c' 」の詳細全文を読む
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