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intermedia
Intermedia was a term used in the mid-sixties by Fluxus artist Dick Higgins to describe various inter-disciplinary art activities that occurred between genres in the 1960s.〔(Dick Hggins, "Intermedia", re-published in Leonardo, vol 34, 2001, p49 - 54, with an Appendix by Hannah Higgins )〕〔Hannah B Higgins, "The Computational Word Works of Eric Andersen and Dick Higgins" in H. Higgins, & D. Kahn (Eds.), Mainframe experimentalism: Early digital computing in the experimental arts, p.283〕 Thus, the areas such as those between drawing and poetry, or between painting and theatre could be described as intermedia. With repeated occurrences, these new genres between genres could develop their own names (e.g. visual poetry or performance art).
==Characteristics==
Higgins described the tendency of what he thought was the most interesting and best in the new art to cross boundaries of recognized media or even to fuse the boundaries of art with media that had not previously been considered for art forms, including computers.
With characteristic modesty, he often noted that Samuel Taylor Coleridge had first used the term.
Gene Youngblood also described intermedia, beginning in his "Intermedia" column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was "expanding consciousness"—the intermedia network—that would turn all people into artists by proxy. He gathered and expanded ideas from this series of columns in his 1970 book Expanded Cinema, with an introduction by Buckminster Fuller.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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