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Vandalism is "action involving deliberate destruction of or damage to public or private property".〔(【引用サイトリンク】url=http://www.oxforddictionaries.com/us/definition/american_english/vandalism )〕 The term also includes criminal damage such as graffiti and defacement directed towards any property without permission of the owner. The term finds its roots in an Enlightenment view that the Germanic Vandals were a uniquely destructive people. ==Origin of the term== The Vandals, an ancient Germanic people, are associated with senseless destruction as a result of their sack of Rome under King Genseric in 455. During the Enlightenment, Rome was idealized, while the Goths and Vandals were blamed for its destruction. The Vandals may not have been any more destructive than other invaders of ancient times, but they did inspire British poet John Dryden to write, ''Till Goths, and Vandals, a rude Northern race, Did all the matchless Monuments deface'' (1694). However, the Vandals did intentionally damage statues, which may be why their name is associated with the vandalism of art. The term ''Vandalisme'' was coined in 1794 by Henri Grégoire, bishop of Blois, to describe the destruction of artwork following the French Revolution. The term was quickly adopted across Europe. This new use of the term was important in colouring the perception of the Vandals from later Late Antiquity, popularising the pre-existing idea that they were a barbaric group with a taste for destruction.〔Merrills and Miles 2010, pp. 9–10.〕 Historically, vandalism has been justified by painter Gustave Courbet as destruction of monuments symbolizing "war and conquest". Therefore, it is often done as an expression of contempt, creativity, or both. Gustave Courbet's attempt, during the 1871 Paris Commune, to dismantle the Vendôme column, a symbol of the past Napoleon III authoritarian Empire, was one of the most celebrated events of vandalism. Nietzsche himself would meditate after the Commune on the "fight against culture", taking as example the intentional burning of the Tuileries Palace on May 23, 1871. "The criminal fight against culture is only the reverse side of a criminal culture" wrote Klossowski after quoting Nietzsche.〔See Pierre Klossowski, ''Nietzsche and the Vicious Circle'', first Chapter: What is the value of culture if those who are exploited by it destroy it? ''"En sorte qu'il nous faut être bien loin de vouloir, du haut de notre sentiment de nous-mêmes, imputer le crime d'un combat contre la culture exclusivement à ces malheureux.'' Je sais ce que cela veut dire: le combat contre la culture. (...) '' je me campronnai avec une conviction sérieuse à la valeur métaphysique de l'art, lequel ne saurait exister à cause des pauvres gens, mais doit accomplir des missions plus hautes. Mais, en dépit de mon extrême douleur, je n'étais pas en état de jeter la moindre pierre à ces profanateurs qui, pour moi, n'étaient que les suppôts de la culpabilité universelle, sur laquelle il y a beaucoup à méditer!"'' Nietzsche quoted by Klossowski pp.29-30 French edition, who adds: ''"Le combat criminel contre la culture n'est lui-même que l'envers d'une culture criminelle"'' ("The criminal fight against culture is only the reverse side of a criminal culture")〕 In a proposal to the International Conference for Unification of Criminal Law held in Madrid in 1933, Raphael Lemkin envisaged the creation of two new international crimes (delicta juris gentium): the crime of barbarity, consisting in the extermination of racial, religious or social collectivities, and the crime of vandalism, consisting in the destruction of cultural and artistic works of these groups.〔Raphael Lemkin: (Akte der Barbarei und des Vandalismus als delicta juris gentium ), Anwaltsblatt Internationales (Wien), November 1933.〕 The proposal was not accepted. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Vandalism」の詳細全文を読む スポンサード リンク
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