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Univisium
Univisium (macaronic Latin for "unity of images") is a proposed universal film format created by cinematographer Vittorio Storaro, ASC, AIC and his son, Fabrizio, to unify all future theatrical and television movies into one respective aspect ratio of 2.00:1 (18:9). The proposed format also includes new standards for projection that maximize the efficiencies of the Univisium format.
==The main proposal==
In 1998, cinematographer Vittorio Storaro announced his plans for a new film format, originally to be called Univision,〔Univision is the original format name used in the proposal document (see External links) and in (early interviews ). It was likely changed to Univisium to avoid confusion with the Spanish-language Univision broadcast network.〕 in an interview with ''International Photographer'' magazine. As Storaro stated in his written proposal "Recently, any movie - no matter how big or small, successful or not - will, after a very short life on the big screen, have a much longer life on an electronic screen. Today the Answer Print is made for both of these two different media. ...Having these two different media, with essentially two different aspect ratios, each of us (Directors, Production Designers, Cinematographers, Camera Operators, etc.) shares the nightmare of compromising the Composition of the Image. Looking through a viewfinder, a camera, or a monitor, we are always faced with at least two images of the same subject."〔Storaro, Vittorio and Storaro, Fabrizio (1998). (''Univisium'' ).〕
Storaro opines that, in the future of cinema, all films will be photographed in either high-definition video for small, intimate digital projection theaters, or in 65 mm for "big audience... large screen" films.〔 In the cinematographer's opinion, as all films will be one of the two formats, he suggests a common aspect ratio compromise of 2.00:1 (mathematical average of 65 mm 2.20:1 and HD 1.78:1) be adopted for all films, 65 mm theatrical, HD theatrical and television.
As he told ''American Cinematographer'' writer Bob Fisher, "I believe it is very important for audiences to see films exactly the way they were composed by the director and cinematographer. This is a solution."〔Fisher, Bob (February 2001). "Guiding Light" ''American Cinematographer Magazine''. pp. 72-83〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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