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Ubermorgen : ウィキペディア英語版
Ubermorgen


UBERMORGEN.COM is a Swiss–Austrian–American artist duo founded in 1995 and consisting of lizvlx and Hans Bernhard.〔() Adam Wishart, Regula Bochsler, Leaving Reality Behind: etoy vs eToys.com & other battles to control cyberspace, Ecco, 2003 (ISBN 978-0066210766)〕 They live and work in Vienna, Basel and S-chanf near St. Moritz in the alpine Engadina valley in Switzerland.
Their main body of work consists of internet art/net.art,〔() Review by Eduardo Navas: Rachel Greene, "Internet Art", Thames & Hudson Ltd, London, 2004〕 installation, video art,〔()() M. Bittanti, D. Quaranta (eds), GameScenes. Art in the Age of Videogames, Milan, Johan & Levi Editore, Milano 2006 (ISBN 978-8860100108)〕〔() Domenico Quaranta, Yves Bernard (eds), Holy Fire. Art of the Digital Age, FPEditions, Brescia 2008 (ISBN 978-8890330865)〕 photography, software art,〔() Olga Goriunova, Alexei Shulgin (eds), THE READ_ME Software Art & Cultures, Aarhus 2004 (ISBN 978-87-988440-4-4)〕 performance and uses the convergence of digital media〔() UBERMORGEN.COM at CRE/Chaos Radio with Tim Pritlove (German)〕 to produce and publish online and offline.〔() WMMNA/we-make-money-not-art UBERMORGEN.COM Interview〕〔() Christine Böhler, Literatur im Netz, Triton Verlag, Wien 2001 (ISBN 3-85486-103-6), p92, Interview with UBERMORGEN.COM〕
Their early works were ''media hacking''〔() Lentos Museum of Modern Art (ed), Just do it!, Edition Selene, Vienna 2005 (ISBN 3-85266-267-2)〕〔()“Netzpiraten. Die Kultur des elektronischen Verbrechens”, Armin Medosch and Janko Röttgers, Heise / Telepolis, ()ote-auction, Ars Electronica Jury-Hack and etoy, p. 69-88 (ISBN 388229-188-5)〕 projects using low-tech tools to reach very large audiences.〔() Thomas Ernst, Patrticia Gozalbez Canto et al. (eds), SUBversionen. Zum Verhältnis von Politik und Ästhetik in der Gegenwart, transcript Verlag, Bielefeld 2008 (ISBN 978-3-89942-677-9)〕 During the work on their best known project Voteauction (2000) CNN.com called them "Maverick Austrian Businessmen".〔() Vote-selling Web site to be revived, possibly offshore, CNN.com, August 25, 2000〕
In 2001, they started a collaboration with Christoph Schlingensief for the development and staging of a Hamlet project in Zurich: NAZI~LINE (), a bigger than life fake neo-Nazi helpline and exit strategy finding agency.
In 2005 they started the EKMRZ Trilogy (), a series of conceptual hacks (GWEI〔() Springerin, Slavo Krekovic “Will Google Eat Itself?”〕〔() () Culture Jamming – Interview with Hans Bernhard〕 – Google Will Eat Itself (), Amazon Noir () and The Sound of eBay)().
Between 2007–2011 their focus went into research-based productions (Superenhanced ()(), WOPPOW (), KRAFT Series ()())〔() UBERMORGEN.COM Manifesto, RC1 (release-copy 1) presented at „Positions in Flux“ Symposium, The Netherlands Media Art Institute Amsterdam, 8.5.2009, published online Vienna, 28.7.2009〕 and Rock Art productions such as TORTURE CLASSICS〔() TORTURE CLASSICS PROJECT 2010, UBERMORGEN.COM feat. James Powderly〕 and CLICKISTAN (commissioned by the Whitney Museum of American Art).〔() CLICKISTAN PROJECT 2010〕 They started to work extensively with video during this period.〔() UBERMORGEN.COM videos on Vimeo〕
Since 1999 their work has been shown in museums and galleries in Europe, America, Africa, Australia and Asia and include venues such as SFMOMA, Centre Pompidou, Konsthall Malmoe, NTT ICC Museum Tokyo, Gwangju Design Biennale, ZKM Karlsruhe, MUMOK Vienna, Ars Electronica Linz, WRO Media Art Biennale Wroclaw, MoCA Taipei, Witte de With Rotterdam, Lentos Art Museum Linz, Biennale of Sydney, ARCO Madrid and the New Museum New York.〔()() Alessandro Ludovico (ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag, Basel 2009 (ISBN 978-3856164607), p.198-299〕
They are currently represented by Fabio Paris Brescia (), () Berlin () and Carroll / Fletcher London ().
==Life and career==

Lizvlx and Hans Bernhard are an artist duo〔() Art Daily "Artist Duo Ubermorgen.com Celebrate Tenth Anniversary with New Book"〕〔() AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.21-32 (ISBN 3-8311-3775-7)〕 but also a couple in private life.〔() Media Art Net / Medienkunstnetz, artist biography UBERMORGEN.COM〕 They are engaged and have two children, Billie-Ada (2003) and Lola Mae (2007).
Lizvlx was born in Linz (AT) and grew up in Wels, Salzburg and Elmira (Upstate New York). Hans Bernhard was born at the Yale University Hospital in New Haven (USA), grew up in New Haven and Basel (CH) and moved to Vienna (AT) to study with Prof. Peter Weibel, and later on with Prof. Lev Manovich (UCSD), Prof. Peter Lunenfeld (Art Center College of Design) Pasadena and Prof. Bazon Brock (emeritus) :de:Bazon Brock (Wuppertal) and completed his studies in 1999.
Due to his excessive drug abuse and a manic episode in Cape Town 2002, Hans Bernhard was diagnosed bipolar.〔() HOLY FIRE, Art at the digital age, Psych|OS project, Courtesy Fabio Paris Art Gallery, Brescia〕〔() Scriptum, first UM.COM/Hans Bernhard lecture on "Drugs&Art" after the manic episode 2002, University of Applied Arts Vienna〕〔() Psych|OS Cycle by UBERMORGEN.COM, 2001–2010〕
Their earliest works were part of the avantgarde Net.art movement (etoy,〔() The Guardian, Excerpted from Leaving Reality Behind by Adam Wishart and Regula Bochsler (Fourth Estate)〕〔() AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.33-42, Reinhold Grether on"Wie die etoy Kampagne gefuehrt wurde – ein Agentenbericht" (ISBN 3-8311-3775-7)〕 1994–1998, 194.152.164.137,〔() Authorized copy of 194.152.164.137, a collaborative project by lizvlx and Andrea Mayr〕 1996) and were exclusively shown online (World Wide Web/WWW).〔() Christian Ulrik Andersen, Soeren Bro Pold (eds), Interface Criticism. Aesthetics Beyond Buttons, Aarhus University Press, Aarhus 2011 (ISBN 978-8779345041)〕〔() Exhibition Catalogue Connessioni Leggendarie, Net.Art 1995–2005, ready+made publisher, online version, PDF, () Digimag09/NOV05, Review by Marco Mancuso〕 This work became part of the Internet art and Digital art history and is researched at universities (dissertations, thesis)〔() Whitney Museum of American Art, 2010 Annual Fund Project, About the artists〕〔Das Kunstwerk der Zukunft Inga Reimers writes in her masters thesis "(Selbst-)Inszenierung – Praxis – Kunst. Eine kulturwissenschaftliche Annäherung an das „hybrid Gesamtkunstwerk ubermorgen.com“ about the relation of the "Gesamtkunstwerk" and Richard Wagner "Das Kunstwerk der Zukunft" (), Universität Hamburg, 2009〕 and taught in (Art history).〔() Interview with Wolf Lieser about: "WOLF LIESER – DIGITAL ART – NEUE WEGE IN DER KUNST/THE WORLD OF DIGITAL ART", h.f. ullmann publisher / DAM Berlin – Galerie für Digitale Kunst, 2010〕
The collaboration with both their children (Superenhanced〔() Superenhanced project, () Superenhanced Generator〕〔() Keynote & Superenhanced Installation at ()09 in (), (Ireland )〕 & Spielendes Baby – Schlafendes Baby (original title)〔() () Project website and images, Installation exhibited 18.2. – 29.2.2004 at (Graz )〕), the inclusion of Hans's mental illness and the merger of private and public life led some critics and academics to consider UBERMORGEN.COM as a Gesamtkunstwerk.〔() Cornelia Sollfrank, 2009, "Das Genie von übermorgen"〕
Important personal and artistic influences were early meetings with Jean Tinguely, Joseph Beuys, Daniel Spoerri and Eberhard W. Kornfeld in the Basel art scene of the 1980s and with Niki de Saint Phalle〔() Niki de Saint Phalle 29.10.1930 Neuilly – 21.5.2002 San Diego〕 in St. Moritz, and the long-time relationship (going back to 1916 during the first world war and the purchase of a Giovanni Giacometti painting by the grand-grandfather of Hans Bernhard ) with the Giacometti family (Giovanni Giacometti, Alberto Giacometti) in the nearby mountain valleys Val Bregaglia and Engadin in the canton Grisons in Switzerland.〔Letters, photos, sales contract and the painting are in the ownership of the Bernhard/Pernisch/Plattner family, archived in S-Chanf and Basel/Switzerland〕

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