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Trompies
Trompies is a key musical group of South Africa that specializes in a type of pop music known as Kwaito. The members of the group grew up together in a Soweto township and agreed to form a band after they had all completed their musical studies in college.〔(Answers.com. Trompies. Date of access 28 February 2008 )〕
Beginning to make music in the mid 1990s, they have since sold over half a million records and have become very successful in producing and managing other artists as well through their record label Kalawa Jazmee.
== Trompies' influences ==
Kwaito groups such as Trompies routinely rap vernacular forms of the major indigenous languages, Xhosa, Sotho, Tswana, and Zulu. Their use of the vernacular is a conscious attempt to address the social, political, and economic issues that impact marginalized communities in ways that hold particular meaning for them. Language is critical for not only celebrating the uniqueness and legitimacy of local communities, but also for maintaining ties between artists and their audiences.〔Magubane, Zine. "Globalization and Gangster Rap: Hip Hop in the Post-Apartheid City." In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 208-29. London; Ann Arbor, MI: Pluto Press.〕 Their members include Jairus "Jakarumba" Nkwe, Zynne "Mahoota" Sibika, Mandla "Spikiri" Mofokeng, Eugene Mthethwa & Emmanuel "Mjokes" Matsane. Each of the members makes shout outs to their families and very often to the bible. There have been references made to Psalm 23, "The lord is my shepherd…" and also to Cain and Abel, but the members say they are their brother’s keepers.〔Trompies In the House! Yo, Trompies Fan Club. 2001. Date of access 27 February 2008. http://www.webcitation.org/query?url=http://www.geocities.com/Area51/Crater/3593/TRompies.html&date=2009-10-25+05:23:15 .〕 These allusions show how important this music is to them especially when they say that they are representing their hometowns.
Another of the defining influences of the group is their "connection with (the older popular musical genre's of South Africa's) past". Two of the group members had previous performing experience as dancers in the bubblegum group of Chicco Twala, and a third was the keyboard player for popular South African reggae artist Lucky Dube.〔Gavin Steingo. "South African music after Apartheid: kwaito, the "party politic", and the appropriation of gold as a sign of success". Originally in Popular Music and Society, July, 2005. Date of Access 28 February 2008. ()〕 This background in older forms of dancing and music lends to their music a style of singing and synchronized dancing and dressing that is much more often found in a pop group than in kwaito, which was previously thought of as the "music of gangsters" but is now, thanks in part to Trompies, becoming increasingly more well-respected.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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