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・ Taleh District
・ Taleh Gongah
・ Taleh Jar
・ Taleh Jerd
・ Taleh Jerd (disambiguation)
・ Taleh Jerd-e Olya
・ Talcher
・ Talcher (Odisha Vidhan Sabha constituency)
・ Talcher Autonomous College
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・ Talcher State
・ Talcher Super Thermal Power Station
・ Talcher Thermal Power Station
・ Talcher Thermal Power Station Township
・ Talcher–Kolar HVDC system
Talchum
・ Talco
・ Talco (band)
・ Talco, Texas
・ Talcot Lake
・ Talcott
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・ Talcott Mountain State Park
・ Talcott Parsons
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・ Talcott, West Virginia
・ Talcottville Historic District
・ Talcottville, New York


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Talchum : ウィキペディア英語版
Talchum

''Talchum'' could be characterized as a Korean dance performed while wearing a mask, miming, speaking and even sometimes singing. Although most Koreans believe that talchum refers to all mask dance dramas, it is in fact a regional term only properly applied to dances of Hwanghae Province in present day North Korea. Dances from the Seoul or Gyeonggi Province region are known as sandae noli, whereas the dances from the southern coast are known as yayu which means field play or ogwangdae which means dance of five clowns. Korean mask dance dramas are not just dances performed by masked dancers but also include significant dramatic content with masked characters portraying people, animals and sometimes supernatural beings. These folk dramas reflect the frustrations felt by the lower classes towards the Confucian literati Yangban, due to the latter's treatment of the commoners, show the life of the common man and process social problems such as monks who ignore their precepts and men who cast off their old wives.
==Characteristics==
Mask dance dramas share fundamental characteristics, even though they vary considerably according to region and performer. Their basic themes are exorcism rites, ritual dances, biting satire, parody of human weaknesses, social evils and the privileged class. They appeal to the audiences by ridiculing apostate Buddhist monks, decadent upper classmen, and shamans. Another popular theme is the conflict between an old wife and a seductive concubine. With regional variations, the mask dance drama was generally performed on the First Full Moon, Buddha's Birthday on the Eighth of the Fourth Moon, Dano Festival and Chuseok. Variations may have been performed at festive state occasions or at rituals to supplicate for rain. The enthusiastic participation of the audience is the most remarkable feature of Korean mask dance drama. There is little distinction between the actors and the audience toward the end of a performance, as they join together in robust dance and bring it to a finale.〔Eckersley, M. ed. 2009. Drama from the Rim: Asian Pacific Drama Book (2nd ed.). Drama Victoria. Melbourne. p46.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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