翻訳と辞書
Words near each other
・ Symbology (disambiguation)
・ Symbolophorus
・ Symbolophorus barnardi
・ Symbols (album)
・ Symbols (band)
・ Symbols and conventions used in welding documentation
・ Symbols and proto-writing of the Cucuteni–Trypillian culture
・ Symbols for zero
・ Symbols of Albania
・ Symbols of Alberta
・ Symbols of Australian Capital Territory
・ Symbols of Azerbaijan
・ Symbols of Bohol
・ Symbols of Bosnia and Herzegovina
・ Symbols of British Columbia
Symbiopsychotaxiplasm
・ Symbios Logic
・ Symbiose (web desktop)
・ Symbiosis
・ Symbiosis (A Bullet for Pretty Boy album)
・ Symbiosis (album)
・ Symbiosis (chemical)
・ Symbiosis (disambiguation)
・ Symbiosis (film)
・ Symbiosis (musical ensemble)
・ Symbiosis (sculpture)
・ Symbiosis Center of Health Care
・ Symbiosis Centre for Management Studies
・ Symbiosis in lichens
・ Symbiosis Institute of Computer Studies and Research


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Symbiopsychotaxiplasm : ウィキペディア英語版
Symbiopsychotaxiplasm

''Symbiopsychotaxiplasm'' is a 1968 experimental docu-drama film written, directed, and conceived by African-American film director and documentarian William Greaves. The film, which is shot and presented in the style of a cinéma vérité documentary, attempts to capture and examine pure reality unhindered by the presence of the cameras all around. It is perhaps most memorable for the layers of metatextual storytelling inherent in the concept of the story: that of a documentary inside a documentary inside a documentary.
==Concept and development==
Greaves originally conceived of the concept for the film by applying the Heisenberg Uncertainty Principle to a project Greaves had come up with several years earlier, in which he would follow and document a group of actors undergoing the audition process for an acting job. Finding himself dissatisfied with "Hollywood acting", which he found stiff and forced rather than loose and spontaneous as life tended to be, Greaves attempted to find new and different ways to bring out "reality" as it really was, one in which would not "act to the camera".〔("An Interview about the film with William Greaves and Stephen Soderbergh" )〕
The film was independently financed by one of Greaves's old students from his teaching days at the National Film Board of Canada and The Actors Studio. The title came from Greaves's own fascination with scientific concepts. The concept of "Symbiotaxiplasm" originated from Arthur F. Bentley in his book ''Inquiry Into Inquiries: Essays in Social Theory'', which Greaves described as "those events that transpire in the course of anyone's life that have an impact on the consciousness and the psyche of the average human being, and how that human being also controls or effects changes or has an impact on the environment". By adding the root "-psycho-" into the mix, turning an already-complex topic into a more complex one, Greave emphasizes the mental state affected by those events. Therefore, the title is, in Greaves's mind, very attractive.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Symbiopsychotaxiplasm」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.