|
Supermarionation (a portmanteau of "super", "marionette" and "animation") is a puppetry technique devised in the 1960s by British production company AP Films. It was used extensively in the company's numerous Gerry and Sylvia Anderson-produced action-adventure series, the most famous of which was ''Thunderbirds''. The term was coined by Gerry Anderson, possibly in imitation of "Dynamation", Ray Harryhausen's stop-motion technique. ==Development and use in Gerry Anderson productions== The system used marionettes suspended and controlled by thin wires. The fine metal filaments doubled as both suspension-control wires for puppet movement, and as electrical cables that took the control signals to the electronic components concealed in the marionettes' heads. Although efforts were made to minimise this, the strings used to control the puppets are often visible (more so on modern high-definition television screens), although the production teams' ability to mask the strings and the fineness of the strings noticeably improves through the various series. The heads contained solenoids that created the facial movements for dialogue and other functions. The voice synchronisation was achieved by using a specially designed audio filter, actuated by the signal from the pre-recorded tapes of the voice actors; this filter would convert the signal into a series of pulses that then travelled down the wire to the solenoids controlling the puppet's lips. These control mechanisms were originally placed within the puppets' heads, which meant the heads had to be disproportionately large compared to the bodies; the rest of the body could not be sized up to match, otherwise the puppet would become hard to operate. Since the production of the second season of ''Thunderbirds'', the AP Films puppet workshop had been experimenting with a new type of puppet in which the solenoid was relocated to the chest area.〔 Combined with the advent of miniaturised electronic components in the mid-1960s, a new type of puppet was designed, with a correctly proportioned head and control mechanisms in the chest, connected to the mouth by narrow rods through the neck.〔〔〔 This resulted in a far more realistic appearance for the puppets, first appearing in ''Captain Scarlet and the Mysterons''. In a 2002 interview, Anderson revealed that it was his desire to move into live-action television during the production of ''Captain Scarlet and the Mysterons'', and that he endorsed the new, realistic design of the Supermarionation puppets as a compromise for his inability to use live actors.〔 ()〕 Because the marionettes could not be made to walk convincingly, most scenes depicted the characters either standing or sitting, or placed them in settings that allowed the use of vehicles and other mechanical transportation systems. The personal hovercraft used in ''Fireball XL5'' and ''Thunderbirds'' were one of the devices the producers used to overcome this problem. Occasionally, close-ups of a live actor's hand would be inserted to show actions such as turning keys and pressing buttons. This was affectionately parodied in the 2004 live-action feature film ''Thunderbirds'', with a brief shot of a puppet hand, suspended by wires, operating the controls of Thunderbird 1. In many cases, the puppets were modelled on the actor voicing the role; two good examples are Lady Penelope in ''Thunderbirds'', which closely resembled Sylvia Anderson, and Captain Blue in ''Captain Scarlet'', who looks like his voice actor Ed Bishop (although the latter similarity was reportedly coincidental). Other characters were based on well-known film stars, such as Captain Troy Tempest in ''Stingray'', who was based on James Garner, Scott Tracy in ''Thunderbirds'', who was modelled on Sean Connery, and Captain Scarlet in Captain Scarlet and the Mysterons, whose voice and appearance were modeled on Cary Grant. ''Stingray'' also featured the only non-speaking Supermarionation puppet: the water-breathing woman Marina. Anderson's "Supermarionated" television shows: *''Four Feather Falls'' (1960) *''Supercar'' (1961) *''Fireball XL5'' (1962) *''Stingray'' (1964) *''Thunderbirds'' (1965) *''Captain Scarlet and the Mysterons'' (1967) *''Joe 90'' (1968) *''The Secret Service'' (1969) The term "Supermarionation" was not actually coined until during production of later episodes of ''Supercar''. As a result, ''Four Feather Falls'' is often omitted from lists of Supermarionation productions. ''The Secret Service'' was actually a hybrid of live action and Supermarionation, using footage of live actors from a distance to depict driving, walking, etc. Production was cancelled by ITC owner Lew Grade before the pilot episode aired; the 13 completed episodes aired sporadically on ATV and other British broadcasters beginning in 1969. Despite the poor reception, Anderson has been quoted as naming ''The Secret Service'' as his favorite Supermarionation series. In 1973, Anderson produced a pilot episode for another Supermarionation/live-action hybrid entitled ''The Investigator'' but was displeased with the results, so no series resulted. This is the last known occasion in which a full Supermarionation production was mounted. Two feature films based upon ''Thunderbirds'' were also made with Supermarionation: ''Thunderbirds Are Go'' (1966) and ''Thunderbird 6'' (1967). Numerous episodes of ''Thunderbirds'', ''Captain Scarlet'', and other series were also edited together (sometimes with the addition of new narration) to form movie-length features for VHS release and TV syndication in the 1980s. In 1991, Anderson produced Supermarionation versions of the Dire Straits band members for the music video "Calling Elvis". Supermarionation techniques were recreated and employed during the production of ''Filmed in Supermarionation'', a 2014 documentary that told the behind the scenes story of the films and television series produced by AP Films. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Supermarionation」の詳細全文を読む スポンサード リンク
|