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・ Subhamiltonian graph
・ Subhan Ali Khan Kamboh
・ Subhan Allah
・ Subhan Bakhsh
・ Subhan Quli Qutb Shah
・ Subhan Raza Khan
・ Subhanallah (song)
・ Subhang
・ Subhani ba Yunus
・ Subhankar Banerjee
・ Subhankar Das
・ Subhanpur
・ Subhanpura
・ Subhaprasanna
・ Subharaja of Anuradhapura
Subharchord
・ Subharmonic
・ Subharmonic (record label)
・ Subharmonic function
・ Subharmonic synthesizer
・ Subharti College of Physiotherapy
・ Subharti Medical College
・ Subhas Anandan
・ Subhas Brigade
・ Subhas Chakraborty
・ Subhas Chandra Bose
・ Subhas Chandra Bose Centenary College
・ Subhas Chandra Bose statue (Shyambazar, Kolkata)
・ Subhas Datta
・ Subhas Hotel


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Subharchord : ウィキペディア英語版
Subharchord

The Subharchord is a German electronic musical instrument featuring subharmonic synthesis.
==History==
In 1950s Germany, in the wake of musique concrète, the first fully electronic compositions were written. During this period many countries established electronic music studios to discover and explore these new worlds of sound.
In Germany, new music was composed and experiments conducted on electronic equipment that often came originally from the physics lab or radio. However, development in the East and the West differed considerably. The political division of Germany after World War II led to the foundation of two politically independent states in 1949, geographically neighbours yet entirely separate: the German Democratic Republic (GDR) in the east and the Federal Republic of Germany (FRG) in the west.
In the years that followed, each state defined its own cultural policy. One result was that young artists and musicians, who saw themselves as the avant-garde, were valued and tolerated differently in the two states. In the West, from the outset it was easier for musicians to remain independent and to experiment relatively unhampered. For example, at the famous WDR in Köln, many new works were written by composers such as Herbert Eimert, Karlheinz Stockhausen, and Gottfried Michael König. The publications that came out of the WDR studio had an international audience. In other studios, such as Milan, the Rome, Eindhoven, Brussels, Gravesano, and New York, experiments with musical structures and technical innovations were also ongoing.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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