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Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall music and reggae, in which the instrumentation primarily consists of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music. In the mid-1980s, French Antilles Kassav, the first in the Caribbean to use MIDI technology, took Caribbean music to another level by recording in a digital format. Wayne Smith's "Under Mi Sleng Teng" was produced by King Jammy in 1985 on a Casio MT-40 synthesizer and is generally recognized as the seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than singjaying or singing on top of the riddim. ==Origins== Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. One of the reasons for ragga's swift propagation is that it is generally easier and less expensive to produce than reggae performed on traditional musical instruments. Ragga evolved first in Jamaica, and later in Europe, North America, and Africa, eventually spreading to Japan, India, and the rest of the world. Ragga heavily influenced early jungle music, and also spawned the syncretistic bhangragga style when fused with bhangra. In the 1990s, ragga and breakcore music fused, creating a style known as raggacore. The term "raggamuffin" is an intentional misspelling of "ragamuffin", a word that entered the Jamaican Patois lexicon after the British Empire colonized Jamaica in the 17th century. Despite the British colonialists' pejorative application of the term, Jamaican youth appropriated it as an ingroup designation. The term "raggamuffin music" describes the music of Jamaica's "ghetto dwellers". 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ragga」の詳細全文を読む スポンサード リンク
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