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Neo-romanticism
The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism. It has been used with reference to late-19th-century composers such as Richard Wagner particularly by Carl Dahlhaus who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of modernism, whose leading early representatives were Richard Strauss and Gustav Mahler . It has been applied to writers, painters, and composers who rejected, abandoned, or opposed realism, naturalism, or avant-garde modernism at various points in time from about 1840 down to the present.
== Late 19th century and early 20th century ==
Neo-romanticism as well as Romanticism is considered in opposition to naturalism—indeed, so far as music is concerned, naturalism is regarded as alien and even hostile . In the period following German unification in 1871, naturalism rejected Romantic literature as a misleading, idealistic distortion of reality. Naturalism in turn came to be regarded as incapable of filling the "void" of modern existence. Critics such as Hermann Bahr, Heinrich Mann, and Eugen Diederichs came to oppose naturalism and materialism under the banner of "neo-romanticism", demanding a cultural reorientation responding to "the soul’s longing for a meaning and content in life" that might replace the fragmentations of modern knowledge with a holistic world view .
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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