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In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads".〔Schonbrun, Marc (2006). ''The Everything Music Theory Book: A Complete Guide to Taking Your Understanding of Music to the Next Level'', p.257. ISBN 1-59337-652-9.〕 A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. For example, using an Ionian (major scale) * the root note would become the I major chord, * the second note the ii minor chord, * the third note the iii minor chord, * the fourth note the IV major chord, * the fifth note the V major chord (or even a dominant 7th), * the sixth note the vi minor chord, * the seventh note the vii diminished chord and * the octave would be a I major chord. Using the minor (aeolian mode) one would have: * i minor, * ii diminished, * ()III major, * iv minor, * v minor, * ()VI major, * ()VII major and * the i minor an octave higher. == Reharmonization == Reharmonization is the technique of taking an existing melodic line and altering the harmony which accompanies it. Typically, a melody is reharmonized to provide musical interest or variety. Another common use of reharmonization is to introduce a new section in the music, such as a coda or bridge. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Harmonization」の詳細全文を読む スポンサード リンク
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