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・ Collective Invention
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・ Collective laissez faire
・ Collective landscape
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・ Collective leadership in the Soviet Union
・ Collectieve Propaganda van het Nederlandse Boek
・ Collectif Métissé
・ Collectif Paris-Africa
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・ Collectin
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・ Collectin of 43 kDa
・ Collectin of 46 kDa
Collecting
・ Collecting duct carcinoma
・ Collecting duct system
・ Collecting practices of the Al-Thani Family
・ Collecting Sunlight
・ Collecting the Kid
・ Collectio Avellana
・ Collectio canonum Hibernensis
・ Collectio canonum quadripartita
・ Collectio canonum Quesnelliana
・ Collectio canonum Wigorniensis
・ Collection
・ Collection (2NE1 album)
・ Collection (abstract data type)
・ Collection (Agnes album)


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Collecting : ウィキペディア英語版
Collecting

The hobby of collecting includes seeking, locating, acquiring, organizing, cataloging, displaying, storing, and maintaining whatever items are of interest to the individual collector. The scope of collecting is unlimited: "If something exists, somebody somewhere collects them."
The most obvious way to categorise collections is by the type of objects collected. Most collections are of manufactured commercial items, but natural objects such as birds' eggs, butterflies, rocks, and seashells can also be the subject of a collection. Among collections of manufactured items, the objects may be antique, or simply collectible. Antiques are collectible items at least 100 years old, while collectibles can be arbitrarily recent. Collectors and dealers may use the word ''vintage'' to describe older collectibles. Items which were once everyday objects but may now be collectible since almost all those once produced have been destroyed or discarded are called Ephemera. Philately, phillumeny, and deltiology (collecting postage stamps, matchboxes and postcards) are forms of collecting which can be undertaken at minimal expense.
Some collectors are generalists with very broad criteria for inclusion, while others focus on a subtopic within their area of interest. Some collectors accumulate arbitrarily many objects that meet the thematic and quality requirements of their collection, others — called ''completists'' — aim to acquire all items in a well-defined set that can in principle be completed, and others seek a limited number of items per category (e.g. one representative item per year of manufacture or place of purchase). The monetary value of objects is important to some collectors but irrelevant to others. Some collectors maintain objects in pristine condition, while others use the items they collect, and still others collect items that once belonged to famous people.
Collecting is for some people a childhood hobby, but for others a lifelong pursuit or one that begins in adulthood. Collectors who begin early in life often modify their aims when they get older. Some novice collectors start purchasing items that appeal to them then slowly work at learning how to build a collection, while others prefer to develop some background in the field before starting to buy items.
The emergence of the internet as a global forum for different collectors has resulted in many isolated enthusiasts finding each other.

==History==

Collecting is a practice with a very old cultural history. The Egyptian Ptolemaic dynasty collected books from all over the known world at the Library of Alexandria. The Medici family, in Renaissance Florence, made the first effort to collect art by private patronage, this way artists could be free for the first time from the money given by the Church and Kings; this citizenship tradition continues today with the work of private art collectors. Many of the world's popular museums—from the (Metropolitan ) in New York City to the (Thyssen ) in Madrid or the (Franz Mayer ) in Mexico City—have collections formed by the generous collectors that donated them to be seen by the general public.
The collecting hobby is a modern descendant of the "cabinet of curiosities" which was common among scholars with the means and opportunities to acquire unusual items from the 16th century onwards. Planned collecting of ephemeral publications goes back at least to George Thomason in the reign of Charles I and Samuel Pepys in that of Charles II. Collecting engravings and other prints by those whose means did not allow them to buy original works of art also goes back many centuries. The progress in 18th-century Paris of collecting both works of art and of ''curiosité'', dimly echoed in the English ''curios'', and the origins in Paris, Amsterdam and London of the modern art market have been increasingly well documented and studied since the mid-19th century.〔Chronologically some essential works are C. Blanc, ''Le trésor de la curiosité'' (1857-58), E. Bonnaffé, ''Les collectionneurs de l'ancienne France'' (1873), l. Courajod, ''La livre-journal de Lazare Duvaux'' (1873), L. Clément de Ris, ''Les amateurs d'autrefois'' (1877), A. Maze-Sencier, ''Le livre des collectionneurs'' (1893), G. Reitlinger ''The Economics of Taste'' (1961), G. Glorieux's monograph, ''À l'Enseigne de Gersaint'' (2002).〕
The involvement of larger numbers of people in collecting activities comes with the prosperity and increased leisure for some in the later 19th century in industrial countries. That is when collecting such items as antique china, furniture and decorative items from oriental countries becomes established.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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