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Bosinada
The bosinada (IPA: ()) or bosinata (pl. ''bosinade'', ''bosinad'', or ''bosinate'') was a traditional, popular poetic genre in Milanese dialect that began in the 18th century or earlier and reached its apex in the late 19th century. "Bosinate" were usually written or printed on sheets of paper and recited by a sort of cantastorie or minstrel called a bosin ((), pl. ''bositt'');〔The Italian suffix ''-ata'', or ''-ada'' in Milanese dialect, refers to something typical of the person the suffix is attached to; e.g., a "bambinata" (from "bambino", child) is "a childish act". Likewise, "bosinata"/"bosinada" would mean "a ''bosin'''s thing".〕 they were usually satirical in content, sometimes explicitly designed to hold someone up to ridicule, or to debunk certain social habits or circumstances; in any case, they were the expression of the naive but sound good sense of the common people.〔(G. Fichera, ''Definizione della Bosinada'' )〕
==Etymology==
Most scholars agree that the word "bosin" comes from ''Ambroeus'' (Milanese for Ambrose), as Ambrose was a prominent symbol of Milan. Other explanations of the term nevertheless exist. In Milanese dialect, a ''bosin'' is also someone who comes from Brianza, and G. Crespi〔See Crespi (1907)〕 reports that the terms is also used more specifically to refer to that part of the Milanese countryside that lies between the Ticino river, the Lambro river, and the mountaines of Varese, and that it directly derives from the name of the Bozzente creek, which was known as ''Bosintio'' in the past. These etymologies would thus establish a connection between the bosinata and the rural areas surrounding of Milan, which might make sense as the bosinate were conceived as a coarse, uneducated form of poetry that the Milanese might associate with the vulgar people of the "contado". More specifically, scholar Bernardino Biondelli suggests that the first ''bosin'' were actually from Milan, but that they deliberately adopted a language inspired by that spoken in the rural areas outside Milan, to emphasize the naive character of their compositions.〔See Biondelli (1853), p. 89〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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