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Arioso
In classical music, arioso (:aˈrjoːzo) (also aria parlante〔George Grove, ''A Dictionary of Music and Musicians'', "Aria Parlante"〕 (:ˈaːrja parˈlante)) is a type of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato.
Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition.
==Well-known examples==
At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by Loris at Giordano's ''Fedora'' could be a modern arioso example.
In 1927 Sir Thomas Beecham referred to the ''Sea Drift'' of Frederick Delius as 'the finest example in all music of the ''Arioso recitativo''.'〔T. Beecham, 'Delius, the Neglected Genius', (''Evening Standard'', 13 Jan. 1927), in C. Redwood (Ed.), ''A Delius Companion'' (John Calder, London 1976), pp. 65-68, at p. 68.〕
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