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・ International Centre for Integrated Mountain Development
・ International Centre for Low Dose Radiation Research
・ International Centre for Mathematical Sciences
・ International Centre for Migration and Health
・ International Centre for Migration Policy Development
・ International Centre for Missing & Exploited Children
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・ International Centre for Settlement of Investment Disputes
・ International Centre for Tax and Development
・ International Centre for the Prevention of Crime
・ International Centre for the Study of Planned Events
・ International Centre for the Study of the Preservation and Restoration of Cultural Property
International Centre for Theatre Research
・ International Centre for Theoretical Physics
・ International Centre for Theoretical Sciences
・ International Centre for Trade and Sustainable Development
・ International Centre for Trade Union Rights
・ International Centre for Underutilised Crops
・ International Centre of Graphic Arts (Ljubljana)
・ International Centre of Insect Physiology and Ecology
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International Centre for Theatre Research : ウィキペディア英語版
International Centre for Theatre Research

The International Centre for Theatre Research sometimes also known as The International Centre for Theatre Creation was founded in 1970 by Peter Brook and Micheline Rozan. It is often abbreviated to the acronym CIRT as in French the group is called the Centre International de Recherche Théâtrale. The centre is a multicultural theatrical research and production company based out of the Bouffes du Nord theatre in Paris since 1974.〔The Continuum Companion to Twentieth Century Theatre'', edited Colin Chambers, Continuum, 2002, ISBN 0-8264-4959-X, Page 384〕 The first three years of the company were taken up by exploring a fundamental theatrical question (see below)
== Funding ==
Brook had previously been sponsored for limited periods by Jean-Louis Barrault or the RSC (at the Roundhouse). Brook and Rozan acquired sufficient funding to sustain Brook's work for three years. Working with a core company and several visiting collaborators.
A budget of $1 million was established: $100,000 to set up the organization, and $300,000 for each year from 1971-1973. Money was raised from the French government and various international foundations (Ford Foundation, Gulbenkian Foundation and Anderson Foundations)
Money also came from the government of Iran in the form of a commission for a work at the Shiraz/Persepolis festival in 1971. Work was begun even though the full three-year budget was not secured at the outset.

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