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・ Hynobius
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・ Hymn to St Cecilia
・ Hymn to the Immortal Wind
・ Hymn tune
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・ Hymnary.org
・ Hymnbooks of the Church of Scotland
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・ Hymne à l'amour
・ Hymned Again
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Hymnen
・ Hymner til natten
・ Hymno Patriótico
・ Hymnology
・ Hymns (2nd Chapter of Acts album)
・ Hymns (band)
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・ Hymns (Bloc Party album)
・ Hymns (Corey Glover album)
・ Hymns (EP)
・ Hymns (Godflesh album)
・ Hymns (Loretta Lynn album)
・ Hymns (Michael W. Smith album)
・ Hymns (Out of Eden album)
・ Hymns (Tennessee Ernie Ford album)


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Hymnen : ウィキペディア英語版
Hymnen

''Hymnen'' is an electronic and concrete work, with optional live performers, by Karlheinz Stockhausen, composed in 1966–67, and elaborated in 1969. In the composer's catalog of works, it is "Nr. 22".
==History==
The quadraphonic electronic and concrete music of ''Hymnen'' was realised at the Electronic Music Studio of the Westdeutscher Rundfunk (WDR) in Cologne. The world première was of the version with soloists, and took place on 30 November 1967 in a concert of the WDR concert series Musik der Zeit, at the auditorium of the Apostel Secondary School in Cologne-Lindenthal . The soloists were Aloys Kontarsky, piano, Johannes G. Fritsch, viola, Harald Bojé, electronium, and Rolf Gehlhaar and David Johnson, percussion. Sound technicians were David Johnson and Werner Scholz, sound direction by the composer.
Between January and April 1969, in Madison, Connecticut, Stockhausen created a new version of the Third Region of ''Hymnen'' by adding a part for orchestra. This was to fulfill a commission from Leonard Bernstein and the New York Philharmonic, which was originally to have been for a never-completed work titled ''Projektion''. The world premiere of the "Third Region with Orchestra" was given by the New York Philharmonic conducted by Stockhausen in Philharmonic Hall, New York, on 25 February 1971 as part of a special non-subscription concert of the New York Philharmonic, together with the American premiere of the other three regions of ''Hymnen'' in the version with soloists . The programme, which started fifteen minutes late due to an unprecedented demand for tickets, lasted for three hours (with two intervals) and was "the longest Philharmonic concert of the last generation, and, for all we know, in Philharmonic history" (; ). The first part consisted of the first and the first half of the second region, and was performed with the soloists of Stockhausen's group; after the first interval came the "Third Region with Orchestra", which actually begins halfway through region 2; the third part consisted of the fourth region, again with the soloists of Stockhausen's ensemble: Aloys Kontarsky (piano), Harald Bojé (electronium), Christoph Caskel (percussion), and Péter Eötvös (55-chord) (; ).
The second complete performance (following the New York premiere) of all four regions, including the third region performed with live orchestra, took place on the Yale University Cross Campus and in Beinecke Plaza with the Yale Symphony Orchestra, Yale Marching Band, Yale Glee Club, Russian Chorus, Yale Aviation Squadron, WYBC Transistor Radio Band, Silliman College Dramat, etc., on 29 April 1972 in an outdoor performance with a scenario by Sterling Brinkley and John F. Mauceri, "with permission and suggestions by the composer." Flag designs (real and projected) by Chris and Esther Pullman (; ; ; ).
Although both the tape-alone version and the version with soloists were performed in London in 1971 (at the Round House during the English Bach Festival, and at St John, Smith Square with members of Stockhausen's own group), these both used the two-channel stereo reduction made for the DGG record. The four-channel version did not receive its UK premiere until 18 August 1975, in the version with soloists performed by Triquetra-Plus, with newly revised parts for the soloists .

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