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・ Fear of the Dark
・ Fear of the dark
・ Fear of the Dark (2001 film)
・ Fear of the Dark (2002 film)
・ Fear of the Dark (Gordon Giltrap album)
・ Fear of the Dark (Iron Maiden album)
・ Fear of the Dark (novel)
・ Fear Agent
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・ Fear and Desire
・ Fear and Fancy
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・ Fear and Loathing at Rolling Stone
・ Fear and Loathing at the Fundraiser
・ Fear and Loathing in America
Fear and Loathing in Las Vegas
・ Fear and Loathing in Las Vegas (disambiguation)
・ Fear and Loathing in Las Vegas (film)
・ Fear and Loathing on the Campaign Trail '72
・ Fear and Loathing on the Road to Hollywood
・ Fear and Love
・ Fear and Misery of the Third Reich
・ Fear and Saturday Night
・ Fear and the Nervous System
・ Fear and the Nervous System (album)
・ Fear and Trembling
・ Fear and Trembling (film)
・ Fear and Trembling (novel)
・ Fear and Whiskey
・ Fear appeal


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Fear and Loathing in Las Vegas : ウィキペディア英語版
Fear and Loathing in Las Vegas

''Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream'' is a novel by Hunter S. Thompson, illustrated by Ralph Steadman. The book is a roman à clef, rooted in autobiographical incidents. The story follows its protagonist, Raoul Duke, and his attorney, Dr. Gonzo, as they descend on Las Vegas to chase the American Dream through a drug-induced haze, all the while ruminating on the failure of the 1960s countercultural movement. The work is Thompson's most famous, and is noted for its lurid descriptions of illegal drug use, its early retrospective on the culture of the 1960s, and its popularization of Thompson's highly subjective blend of fact and fiction that has become known as gonzo journalism. The novel first appeared as a two-part series in ''Rolling Stone'' magazine in 1971, was published as a book in 1972, and was later adapted into a film of the same name in 1998 by Terry Gilliam, starring Johnny Depp and Benicio del Toro who portrayed Raoul Duke and Dr. Gonzo, respectively.
==Origins==
The novel ''Fear and Loathing in Las Vegas'' is based on two trips to Las Vegas, Nevada, that Hunter S. Thompson took with attorney and Chicano activist Oscar Zeta Acosta in March and April 1971. The first trip resulted from an exposé Thompson was writing for ''Rolling Stone'' magazine about the Mexican-American television journalist Rubén Salazar, whom officers of the Los Angeles County Sheriff's Department had shot and killed with a tear gas grenade fired at close range during the National Chicano Moratorium March against the Vietnam War in 1970. Thompson was using Acosta—a prominent Mexican-American political activist and attorney—as a central source for the story, and the two found it difficult for a brown-skinned Mexican to talk openly with a white reporter in the racially tense atmosphere of Los Angeles, California. The two needed a more comfortable place to discuss the story and decided to take advantage of a ''Sports Illustrated'' magazine offer to write photograph captions for the annual Mint 400 desert race being held in Las Vegas from 21–23 March.
Thompson wrote that he concluded their March trip by spending some 36 hours alone in a hotel room "feverishly writing in my notebook" about his experiences.〔 The genesis of ''Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream'' is in that notebook.
What originally was a two-hundred-fifty-word photo-caption-job for ''Sports Illustrated'' grew to a novel-length feature story for ''Rolling Stone''; Thompson said publisher Jann Wenner had "liked the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication — which gave me the push I needed to keep working on it". He had first submitted a 2,500-word manuscript to ''Sports Illustrated'' that was "aggressively rejected".
Weeks later, Thompson and Acosta returned to Las Vegas to report for ''Rolling Stone'' on the National District Attorneys Association's Conference on Narcotics and Dangerous Drugs being held from 25–29 April 1971, and to add material to the larger ''Fear and Loathing'' narrative. Besides attending the attorneys' conference, Thompson and Acosta looked for ways in Vegas to explore the theme of the American Dream, which was the basis for the novel's second half, to which Thompson referred at the time as "Vegas II".〔Thompson, Hunter S. ''Fear and Loathing In America'' Simon and Schuster 2000 p.379-385〕
On 29 April 1971, Thompson began writing the full manuscript in a hotel room in Arcadia, California, in his spare time while completing "Strange Rumblings in Aztlan", the article chronicling the death of Salazar.〔Thompson, Hunter S. (Jacket Copy For ''Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream'' )〕 Thompson joined the array of Vegas experiences within what he called "an essentially fictional framework" that described a singular free-wheeling trip to Vegas peppered with creative licenses.〔
In November 1971, ''Rolling Stone'' published the combined texts of the trips as ''Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream'' as a two-part article illustrated by Ralph Steadman, who, two years before, had worked with Thompson on a ''Scanlan's Monthly'' article titled "The Kentucky Derby Is Decadent and Depraved".〔Gilmore, Mikal. (March 24, 2005). The Last Outlaw. Rolling Stone, 970, 44-47〕 Random House published the hardcover edition in July 1972, with additional Steadman illustrations; ''The New York Times'' said it is "by far the best book yet on the decade of dope",〔Woods, Crawford (July 23, 1972). Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. By Hunter S. Thompson. Illustrations by Ralph Steadman. 206 pp. New York: Random House. $5.95. The New York Times Book Review, pp.17.〕 with Tom Wolfe describing it as a "scorching epochal sensation".〔(Back cover ), () ''Fear and Loathing in Las Vegas'' 1972.〕

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