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・ BAP Mariátegui (FM-54)
・ BAP Mollendo (ATC-131)
・ BAP Montero (FM-53)
・ BAP Pacocha (SS-48)
・ BAP Paita (DT-141)
・ BAP Palacios (DM-73)
・ BAP Pisagua (SS-33)
・ BAP Puno (ABH-306)
・ BAP Quiñones
・ BAP Río Chira (PC 12)
・ Bap tehsil
・ BAP Union
・ BAP Victoria
・ BAP Villavisencio (FM-52)
・ Bap, Rajasthan
Bap-Tizum
・ BAP1
・ BAPA
・ Bapa
・ Bapalarpena
・ Bapalmuia
・ Bapara
・ Bapara agasta
・ Bapara obliterosa
・ Bapara pandana
・ Bapara paynei
・ Bapat
・ Bapate
・ Bapatla
・ Bapatla (Assembly constituency)


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Bap-Tizum : ウィキペディア英語版
Bap-Tizum

''Bap-Tizum'' is a 1972 live album by the Art Ensemble of Chicago recorded at the Ann Arbor Blues and Jazz Festival held at the Otis Spann Memorial Field and first released on the Atlantic label in 1973. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
==Reception==
Rolling Stone's Bob Palmer wrote "''Bap-Tizum'' features dozens of instruments (''all'' the saxophones from soprano to bass, tempered and non-tepered percussion, etc.) and sequences of colours and moods which range from energy-raising to reflection to explosive anger to sheer soul strutting... The performance gassed ten thousand people, most of whom had never heard of the group, and Atlantic is to be commended for releasing it in all its rough hard-edged grandeur."〔Palmer, B., Rolling Stone, August 30, 1973, p. 88〕
The Allmusic review by Richard S. Ginell awarded the album 5 stars noting that "the Art Ensemble holds back nothing in a chaotic, meandering, exasperating, outrageous -- and, thus, always fascinating -- performance".〔Ginell, R. G. (Allmusic Review ) accessed July 27, 2011.〕
Critic Michael G. Nastos calls the album "essential". Author Rafi Zabor describes the album as a "riotous" real-life analogue to his depiction of a fictional, tumultuous Art Ensemble performance in ''The Bear Comes Home''.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Bap-Tizum」の詳細全文を読む



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