翻訳と辞書
Words near each other
・ Bab Saadoun
・ Bab Sebta
・ Bab Sharqi
・ Bab Shegaft
・ Bab Siba
・ Bab Sukhtegan
・ Bab Tangal (village)
・ Bab Taza
・ Bab the Fixer
・ Bab Tiouka
・ Bab Torsh
・ Bab Tuma
・ Bab Zangi
・ Bab Zeytun
・ Bab Zuweila
Bab'Aziz
・ Bab's Burglar
・ Bab's Diary
・ Bab's Matinee Idol
・ Bab-e Chenzuiyeh
・ Bab-e Kahnuj
・ Bab-e Kahnuj, Bardsir
・ Bab-e Kahnuj, Jiroft
・ Bab-e Khaledabad
・ Bab-e Kushk
・ Bab-e Safheh
・ Bab-e Shamil
・ Bab-e Zanguiyeh
・ Bab-e-Khyber
・ Bab-e-Pakistan


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Bab'Aziz : ウィキペディア英語版
Bab'Aziz

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''Bab'Aziz: フランス語:Le prince qui contemplait son âme'' (English: ''Bab'Aziz: The prince who contemplated his soul''), often abbreviated to ''Bab'Aziz'', is a 2005 film by Tunisian writer and director Nacer Khemir. It stars Parviz Shahinkhou, Maryam Hamid, Hossein Panahi, Nessim Khaloul, Mohamed Graïaa, Maryam Mohaid and Golshifteh Farahani. It was filmed in Iran and Tunisia.
==Summary and themes==

The film's complex and nonlinear narrative chiefly centers around the journey of a blind dervish, Bab'Aziz (Parviz Shahinkhou), and his granddaughter, Ishtar (Maryam Hamid), who — while traveling across the desert towards an immense Sufi gathering — encounter several strangers who relate the stories of their own mysterious and spiritual quests.
''Bab'Aziz'' is the third part of Khemir's "Desert Trilogy", which also comprises his 1984 ''フランス語:Les baliseurs du désert'' (Wanderers of the desert) and 1991 ''フランス語:Le collier perdu de la colombe'' (''The dove's lost necklace'').〔(【引用サイトリンク】title=An Interview with Nacer Khemir )〕 The three films share structural elements and themes drawn from Islamic mysticism and classical Arab culture, as well as an isolated desert setting. Khemir has said:〔

"The desert… evokes the Arabic language, which bears the memory of its origins. In every Arabic word, there is a bit of flowing sand. It is also one of the main sources of Arabic love poetry. In all three of my movies… the desert is a character in itself."

''Bab'Aziz'' is particularly concerned with Sufi themes. Khemir has stated that he wished to show, in the film, "an open, tolerant and friendly Islamic culture, full of love and wisdom . . . an Islam that is different from the one depicted by the media in the aftermath of 9/11",〔 and that the unusual structure of the film was a deliberate attempt to imitate the structure of Sufi visions and dances, aimed at allowing the spectator to "forget about his own ego and to put it aside in order to open up to the reality of the world".〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Bab'Aziz」の詳細全文を読む



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